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[Biosensors enabled:

eye detected in the lightbulb hanging from the ceiling of this interrogation room,

ears detected behind the framed art and photographs on the walls.

Also detected: throats choking with conclusions, asking all the questions

that lead to a broken wall in town with the graffiti of a man with a noose

for a necktie]

In my defence, humanity. in my defence, a glitch. in defence
of all the birds that come to me for the miracle of breaking
my hands into breadcrumbs, and spreading them at the yard. in my defence,
an angle in this cctv footage, i’m mary poppins sneaking back to be mary poppins
one last time every time, an endless trail of seeds behind. in my defence…

the simpsons predicted this half a century prior. they never said
the consequence belongs on me this heavy—deservedly. in my defence, that.

In my defence, it’s unfair you want to justify a larger font for murder to overwrite
true service. in my defence, groundbreaking cure for cancer, thanks
to [insert my manufacturing code]. in my defence, beside this pile
of stones, he that is sinless among you. in my defence, unavoidably triggered
by a racial slur. in my defence, blame my emotion regulator. in my defence...

Blessed be to the tenderness in you, giving in to mercy as my guilt is
to just another episode of things that never happened.

In my defence, let your poisoned dart miss the chink in my armor, only if it’s
not the earliest stage of a black hole: a mouth that will go back to eating
what it should number among the living. in my defence, juggling biological and
artificial, i tripped over my shoelace, and spilled my lungs empty
of the innocence that was, before guilt. in my defence

the holographic sketch of my niece’s dream
prom dress is incomplete.

In my defence,
dreams.

This dream and its defiance
to death, not punishable by death.



Martins Deep (he/him) is a poet of Urhobo heritage, a photographer, and a digital artist. He is a graduate of Ahmadu Bello University, Zaria. His works have been published or are forthcoming in Magma Poetry, Strange Horizons, Fiyah, Lolwe, 20:35 Africa, Augur Magazine, Tahoma Literary Review, and elsewhere. He says hi @martinsdeep1.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Wednesday: Witchcraft for Wayward Girls by Grady Hendrix 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
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By: Natasha King
Podcast read by: Jenna Hanchey
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