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god’s throne has lost its legs—
humbled, god morphs into a creature and

panics, a creature that
panics.

the night my blind, hollow eyes became the holes in
my mama’s septal heart—lonely, quiet, full of

darkness—màmá marvelled at the
moon, oh, so bright!

{strange how our wounded lives can
flutter at the smell of distraction}

but, in my darkness, i stretched my hand to it in
accusation:          oh fraud,
                                 what is your light but a corruption of heaven?

the god, he’s sprawled on the ground.

i once heard an elder swear that the bright eyes of a
child can fill a mother’s heart?

but, god, these eyes do not see.

i and màmá, two moons, two eclipsed suns.
yet in the manner of desperate men, i
prayed that the polluted light fills my eyes.
make me see.

i hear màmá sob, i hear her crave the grace of
a light i do not have
her bosom so pressed to me i heard the
                               slow p u l s i n g of her holey septic heart—
                                            two more months, is it?

rárá, màmá, it’s okay.

a gasp and a gasp, & death consumes her breath,
deadweight slumping over a child’s darkness

in a metamorphosis, the end is the tail of
a seed. so, that night,
god became a creature—did you not see his throne

f

 a

  l

   l

    ?



Elisha Oluyemi was a joint-winner of the Brigitte Poirson Literature Prize for Short Story (2023), winner of the Ikenga Short Story Prize (2023), and shortlisted for the Isele Short Story Prize (2024). Elisha’s writing appears in Lolwe, Mystery Tribune, Broken Antler, The Bitchin’ Kitsch, Sledgehammer, and elsewhere.
Current Issue
9 Feb 2026

“I’ve never actually visited the pā before,” she said out loud. “Is this where they gather lāʻī to make the pūʻolo?” she asked. “Yes,” Benny responded, glancing to see where Nanea was pointing. “Here and in other places as well. Many of these ti have been growing for decades now.” She paused for a moment. “I think about all the work you guys do, you know, up in those offices, and I think that all of that work actually starts from right here, in the ground, all covered in the earth and the pōhaku and the ti. Most people don’t even know it, but it all starts right here.
sometime in the night, we heard rocking and knocking and rapping and tapping, a million trillion tiny feet
The triangles bred and twisted, replicating themselves.
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
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