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An Alternate Ending for “The Breakdown of Family N” in Hiroshima Peace Memorial Museum

In the morning hour,
when the pale grass is still frosted with black dirt,
I walk on the plain of death.

Outside, the earth is scorched and wretched,
the soil still darkened by rain.
Faceless souls dancing in its ashes,
Greeting at me like an old friend.
Distant burnings and flashes of light,
Vanishing behind my steps.

Drenched in the water’s blessing,
I catch the fish for my son tonight.
He deserves a better dinner
For the long, long night

When night falls in a shadowed cloak
I caress my son’s cheeks
His skin perfect and unharmed
I place my broken hands on his neck
Waiting for the embrace of darkness.
Tonight, we shall join his mother,
And the city that was already there.

With a warm breeze kissing my cheeks
I wake at dawn
My boy is still breathing.
A voice whispers in my ear, demanding that
We stay and face another day
Like the flower petals fall in the storm,
and blossom again.



Lillian Tsay is an ESL writer born in the U.S. and raised in Taiwan. She is currently a doctoral candidate in modern Japanese history at Brown University. Her creative writing has appeared in Atticus Review, Lumiere Review, Translunar Traveler’s Lounge, and elsewhere. This is her first poetry publication.
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9 Feb 2026

“I’ve never actually visited the pā before,” she said out loud. “Is this where they gather lāʻī to make the pūʻolo?” she asked. “Yes,” Benny responded, glancing to see where Nanea was pointing. “Here and in other places as well. Many of these ti have been growing for decades now.” She paused for a moment. “I think about all the work you guys do, you know, up in those offices, and I think that all of that work actually starts from right here, in the ground, all covered in the earth and the pōhaku and the ti. Most people don’t even know it, but it all starts right here.
sometime in the night, we heard rocking and knocking and rapping and tapping, a million trillion tiny feet
The triangles bred and twisted, replicating themselves.
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