Size / / /

of the poor woodcutter hide

bundles in the elms' hollows.

White rosebush, red rosebush.

Shiny adze, spade, dug out

gold sepals but no blossoms.

of the poor cobbler quiet

against the workshop tongues,

kobolds at the milk. Stitch, stitch.

of the poor miller if you ask

kindly. Sublimes to gravid air.

Waking up slowly. Where

do I end and my apron begin?

Where are my sisters? We multiply

like mice, like grains of barley.

Who will sort us out? As a favor,

the ants.




Suzanne Fischer is a historian who lives in Detroit. Her work has appeared in Lady Churchill's Rosebud Wristlet, Spinning Jenny, and other venues.
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11 May 2026

If only Serthe'P had been able to fit in, maybe she could have protected —. No. This thought was dangerous. Mnth’R had helped her understand that their isolation had more to do with the Raja’s exploitation of their cast’s fears than any shortcomings of theirs, his Manifest Sight propaganda curdling climate anxieties into prejudice against community members. Serthe’P needed to remember that their lives mattered too much to be reduced by a tyrant’s ideology. Separated from the cast, they were still finding ways to take care of each other.
Siberia our first home / wild and remote–safe / but Alexei wanted more / theatre–dances–rich men
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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