Size / / /

grief wakes the nucleus

of the whole atom

wavers the line of stopped ambulances

alongside the freeway

swivels like a swung shovel

coming at you in a yard full of wreckage

you snap one of those plastic

produce tabs on it, saying

this is something I did

this is something I will not do

then in the arbor of sudden light

time, collapsar, dissolves in it

a telephone, like the arm moving to answer its ring,

wakes up

wakes, this time

the whole atom




Lee Ballentine edits Ur-Vox, a yearbook of new surrealism. His poems have appeared in Abraxas, Caliban, Exquisite Corpse, Mississippi Mud, and many other places in the twenty years since James Laughlin wrote Lee was "pushing up into the Amazon of the new poetry." You can see more of Lee's work in his publications Dream Protocols,, Phase Language, and POLY: New Speculative Writing, and also in our archives.
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5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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