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For Tara Cloud Clark

it is your nose i notice first—you demon, you delicacy!—
(I’m something of a collector: eldritch artifacts, all that
your nose, a right wonder for my wunderkammer)
robustly moist, grave-soil-black, with that reciprocating twitch
for every trash pile, blossom’s bravado, bottom’s innuendo
a flagrant organ in full swoon, flaunting no preference
sensitive to the rancid, ecstatic at tenderness
your nostrils flaring/folding/flaring with tidal nuance
keen to sniff each invisible stitch of meaning:
whether categorical, imaginary, or subliminally intended

secondly—you stunner, you monster!—
it is your quills I clap eyes on—fine-frilled, outstanding!
deimatic display of sensitive silver, a collar
standing at dinosaurian attention
this is not your average were-hair, my bugbear
more like what a poet plucks for her pen, never mind your quivering
good thing she’s easily distractible, all dreamy at the moon
(your foe, your sorrow)
good thing she stopped humming out your name, greedy for attention
no idea you stood ready to behead her with your scimitar paw
she might have taken her handful right there
abandoned you, bare and bleeding, to jot down a verse
what then would be left for my necklace?

I save your scarlet heart for last—you lonebeast, lunewolf!—
your ardent heart: a top-shelf item, prize of my collection
we'll preserve it in a reliquary, gold-gilt, heart-shaped
a crystal windowpane winking glimpses at incarnadined flame:
your jewel, your red gem, molten and uncertain
surely you were hunted for this, once and again
surely they came after you with knives—steel and teeth by starlight
surely you were envied and hunted, harried and coveted
till you fled, scarred, scored, starving for your pack
obscuring your bright heart, silver quills, seeking nose
in domestic drudgery, cagey silences, lest you become
one more metaphor mounted on a wall,
trod upon as carpet, secreted in a cabinet,
turned into an instrument of poetry.



C. S. E. Cooney won the World Fantasy Award for Bone Swans in 2016 and the Rhysling Award for her poem "The Sea King's Second Bride" in 2011. Her collection Dark Breakers comes out from Mythic Delirium in February 2022, and her novel Saint Death’s Daughter two months later from Solaris.
Current Issue
18 May 2026

Maybe we overestimated ourselves, I thought, watching the ferries hum against the wine-dark sea. Even if we floated above it, we were still bound to the ocean, engulfed in all its weight and inescapable history. To believe otherwise was a kind of hubris. But we had believed otherwise anyway, and so each of us had become something smaller, less human, suspended in a brittle net of want and memory. And then she appeared. At the wrong time, in the wrong place. My Scylla, my monstress, my deathless siren of anglerfish light. Longing, in that empty, unmoving ocean, for things that had not existed for centuries. How could anyone blame her? The only alternative was to grieve. 
My grandmother slit my father’s bones and let them fly with yeast.
the nightingale was caught in a net / and brought to a lab for further study.
Friday: The Midnight Shift by Cheon Seon-Ran, translated by Gene Png 
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By: Athar Fikry
Podcast read by: Emmie Christie
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By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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