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its that scene at the end of fight club except we’re two queer bitches

pearly gates being blown up, scattering like frozen milk droplets
handel’s messiah is playing, of course, violas shatter halos scatter

     ⌈popsplatterdribblegoldliquidhallelujah⌉

who put a picture window in heaven//what is there to see if you’ve Arrived

when i was nine years old
i read about tornadoes picking up🐄
i always wondered which way the animal
would spin, hooves up or down
the answer is that when you put a grenade under the throne of god, jesus cartwheels*

*but poorly and he’s not wearing underwear under his robe

 

something we didn’t account for was where to house all the lions and lambs

we’re dressing them in please be my daddy kitty jumpers and you go
∴we should have gone with its raining men for the soundtrack∴ and im like
∴do u think cherub harpists have sheet music for the weather girls∴

ITS THE END OF THE WORLD, you hum to the lion cub squirming in your lap

its the end// i can’t scrub the taste of charred feathers from my tongue.
the lambs refuse to be pottytrained. jesus’ distended eyeball hangs
over the sky for the first month of spring and all the lilies of the valley
turn blood red //of the world

whenever the lions start fucking we put on the pixies

we pick bits of orange mane off the sofa
hold hands and wait
for the part about the little talking🐟, koi-koi

 

This poem was inspired by a conversation with fellow blasphemous writer @Axiopoetics

[Editor’s Note: Publication of this poem was made possible by a gift from Andrew Ward during our annual Kickstarter.]



Elena Sichrovsky (she/they/it) is a queer disabled Austrian-Taiwanese writer. Her work explores identity, trauma and grief through the lens of body horror. Their debut poetry book Eating Out Anne Sexton was released last year with Ghost City Press. You can read more on its website or follow them on X/Bluesky @ESichr.
Current Issue
9 Feb 2026

“I’ve never actually visited the pā before,” she said out loud. “Is this where they gather lāʻī to make the pūʻolo?” she asked. “Yes,” Benny responded, glancing to see where Nanea was pointing. “Here and in other places as well. Many of these ti have been growing for decades now.” She paused for a moment. “I think about all the work you guys do, you know, up in those offices, and I think that all of that work actually starts from right here, in the ground, all covered in the earth and the pōhaku and the ti. Most people don’t even know it, but it all starts right here.
sometime in the night, we heard rocking and knocking and rapping and tapping, a million trillion tiny feet
The triangles bred and twisted, replicating themselves.
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