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Strange Horizons Gallery Presents...

Marge Simon: Artist of Antithesis

When I attended the Art Center College of Design in Los Angeles in the '60s, an instructor singled me out. He told me I wasn't a commercial artist. He said I was an artist, and should pursue that route instead. My high school art teacher had advised me to marry a nice upstanding man. I didn't follow their advice. I didn't marry a nice upstanding man until 2001 (Bruce Boston). I didn't like being a part of the art scene. I didn't get around to submitting my work for illustrations until the mid '80s. Since then I've illustrated hundreds of stories and poems, including two Bram Stoker Award collections.

I work spontaneously. It's a personal thing, like writing poetry or short stories. As fodder for a column I edited, I once posed this question: "Do we need illustrations for poetry or fiction?" Poet/writer Charlee Jacob responded: "What use have I for artists? I wish I had that sumptuous talent. To render into concrete but psychic images with the ectoplasm of ink or paint. Alas, I'm forced to putting only into words what I see in my head and dreams. Of course, these images often come in words -- but I wish I could do as Marge does and be able to do both." I'm not worried about a use for art in literature. I never was. But I appreciate how Charlee sums me up.


Contact Marge Simon by email.

Less Than Children In The Night ©Marge Simon 2002

Tour Marge's work, piece by piece. View thumbnails of Marge's work.

If you are interested in submitting art for the gallery, please read our submission guidelines and then contact us at art@strangehorizons.com.


 

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Marge Ballif Simon free lances as a writer-poet-illustrator for genre and mainstream publications such as Nebula Awards 32, Strange Horizons, Flashquake, Space & Time, Dreams & Nightmares, Aoife’s Kiss, Dark Regions, Fantasy Magazine, The Pedestal Magazine, EOTU, Tales of the Unanticipated. She has illustrated three Stoker award collections. Her illustrated poetry collection, “Artist of Antithesis” was a Stoker finalist in 2004.
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