Size / / /

From her chair on the Café Potomac's sidewalk veranda, Valerie points to a middle-aged gentleman crossing the street. She swallows her sip of cappuccino and closes her eyes.

The man leans toward a woman in a burgundy business suit, clasping her arm. "You'd be surprised how long a midget can stay underwater when you're holding him down," he whispers.

The woman pulls away so quickly that her right heel snaps beneath her. The man covers his mouth and bolts to the other curb.

Valerie and Colin laugh.

"Your turn," she says.

Colin rubs his temples with practiced drama. His eyelids drop and his breathing slows. He holds up his palm toward a young blonde tour guide.

Stepping backwards and smiling towards her audience, the guide motions to the Old Executive Office Building and says in her smooth North Carolina drawl, "And here is the headquarters of the international Jewish conspiracy." She pales. Her charges, some self-consciously adjusting their yarmulkes, cough and look away.

Valerie and Colin giggle while their server sets down two more mugs beside their scone-crumbed plates.

"Wait," says Valerie. "Wait. Here we go."

A man in a dented hardhat clambers from a sewer access grate and shrieks, "Look out! The kitten pipe! She's gonna blow!"

Colin holds up a finger. A little girl looks up at her mommy from a stroller and announces, "Elmo strangles hookers!"

Valerie doesn't look up, but a nearby woman taps her wrinkled finger on the menu and asks her server, "Can I please have the cream of feces soup?"

Colin dabs his napkin at his the corners of his lips. An MTA driver seated behind him mumbles into his cell phone, "Sometimes Jesus tells me to crash the bus." He pulls the phone away from his ear and stares at it while a voice squawks from the speaker.

Valerie's smile fades as she turns her mug in her hands. "Why don't you ever make anybody say something romantic?"

Colin watches a uniformed Secret Service guard pacing beside the Pennsylvania Avenue checkpoint. The guard crosses the street, walks over to their table, and leans to Valerie's ear. "She was a fast machine, she kept her motor clean, she was the best damned woman that I've ever seen." Blinking, he staggers away.

Valerie crosses her arms and squints towards a Korean souvenir vendor. The woman abandons her FBI t-shirts and Jefferson snow globes to bow beside Colin. "When I think about you, I touch myself," she says in stilted syllables.

"Cute," says Colin as the woman rubs her eyes and stumbles back to her booth. "But you're all talk."

Valerie locks her leg against Colin's. "Me? You're the one who won't even say it."

"Say what?"

"You know. Without a middle man."

"Okay." He inhales sharply as though mustering his courage. "I love you," he says in a rush. "How's that?"

Valerie sighs. "It's not as good when I make you say it," she says, tipping her coffee to her lips.




During Will Ludwigsen's adolesence, school teachers and guidance counselors placed even odds on him ending up in a mental hospital or prison. He ended up working for the federal government, fulfilling both predictions at once. When not writing horror non-fiction for them, he writes horror fiction for Weird Tales, Cemetery Dance, and Alfred Hitchcock's Mystery Magazine.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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