Size / / /

I love Carol's conversational voice in this story. I can easily imagine this character sitting telling me this story. Afraid (and annoyed) that she might annoy the listener:

It's time to go somewhere. Anyplace else is better than here. It will be a makeshift journey. No purpose except to get away. I didn't pack. I didn't plan. I won't bring a map. I can't depend on strangers because of my beady eyes. I have a mean smile.

So: an avowedly unlikeable character (a writer) who decides she has to escape her life. She thinks that if her grown-up kids know she wants to get away they'll try to stop her:

"Mama, you're not as young as you think you are." (I am. I am. Exactly as young as I think I am. I'm maybe even a little more so.)

Is there anyone who doesn't recognize that cry? But there are so many good lines ["I regret my books. The children will keep all the wrong ones."] that I really wish you would skip this and just go straight to the story. The ending is another cri de coeur against the damned shortness of life and our inevitable end. It's the end of the world, and that makes our writer is happy.

That honest moment of small-hearted meanness and large-hearted joy is so recognizably human that I laugh every time I read it. The little truth that echoes out to a larger one is in so many of Carol's stories and books and it often makes me want to stop reading and go out and spread the word. There's so much joy (her collection Joy in Our Cause is so well titled) in her writing that it feels me feel mean not to share it.

Ten years ago when my wife, Kelly Link, and I were working with Carol on Report to the Men's Club and Other Stories we both loved this story so much that we put it last in the book so that anyone who read the book in order (or anyone who read the last story first) would walk away with this story freshest in their head. And when Karen Meisner at Strange Horizons asked which story of Carol's I'd like to introduce, "After All" was an easy choice.

Although that's a lie. Carol has written so many good stories over the years that at first this seemed like an impossible assignment. Narrowing the choice to a book we'd published was an arbitrary decision that still left me one story to choose and eighteen stories I couldn't press on readers. How wrong!

Fortunately NonStop Press has now published The Collected Stories of Carol Emshwiller, Volume 1 so that readers can explore the full range of Carol's stories—at least up until 2002: there must be a second volume coming covering the years since—and it includes all of Report to the Men's Club and Other Stories. Knowing that made my choice here simpler but there are still four or five I'd love to have you read: "Grandma," "Acceptance Speech," "Mrs Jones," or "Foster Mother," any of which are by turns hilarious, terrifying, tragic.

And if you go and read these stories, I'll add you to my thanks here. To Carol for writing these stories. To Strange Horizons for putting Carol in the spotlight. And you for taking the time to explore the work of a writer whose unusual stories can seem so small at first until they open up to contain all of us.


Read "After All" by Carol Emshwiller




Gavin J. Grant started a zine, Lady Churchill's Rosebud Wristlet, in 1996, cofounded Small Beer Press, an independent publishing house with his wife, Kelly Link, and in 2010 launched WeightlessBooks.com, an ebooksite for independent presses. He has been published in the Los Angeles Times, Christian Science Monitor, Bookslut, Xerography Debt, Scifiction, The Journal of Pulse Pounding Narratives, and Strange Horizons. He lives with his wife and daughter in Massachusetts.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Load More