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Welcome to the 2014 Strange Horizons fund drive!

As you undoubtedly know, Bob, Strange Horizons is a volunteer-run, non-profit organization funded by donations, and thus once a year we hang out our hat to raise funds for the next twelve months. You can find all the details on our main fund drive page, but the short version is—this year, we're aiming to raise US$13,500.

That budget will enable us to publish another year's worth of stories, reviews, poems, articles, columns and artwork. We want to continue to showcase work that challenges and delights us, by new and established writers, from diverse backgrounds and with diverse concerns—queer writers, writers of different racial and ethnic backgrounds, writers from different countries and different traditions.

It's been, so far as we can judge, a good year for the magazine. We had five stories picked up for "Year's Best" volumes; Sofia Samatar's "Selkie Stories Are for Losers" was nominated for the BSFA, Hugo and Nebula Awards (and is still a nominee for the World Fantasy Awards—good luck, Sofia!); Sarah Pinsker's "In Joy, Knowing the Abyss Behind" was nominated for a Nebula and won the Sturgeon Award (our second win in a row!); Mat Joiner's "And Deeper Than Did Ever Plummet Sound" won the SFPA Dwarf Star Award, and Mari Ness was runner-up for "The Loss"; and of course the magazine itself was nominated for the Best Semiprozine Hugo Award. So we want to continue, and to do more.

To encourage you to donate, as usual we have our donor prize draw, and a fund drive special issue.

Everyone who donates is entered into a draw for prizes ranging from signed books to artworks to games. The initial batch includes books by Lavie Tidhar and Sarah Tolmie, art by Laura Walton Allen, the Machine of Death game, and more, but check back as we add more prizes each week.

As for the bonus issue, we've got a whole pile of material that will be published as our fundraising hits certain thresholds. You can see the full table of contents on this page, but first up, when we hit $1,500, is Adam Roberts' review of Jeff VanderMeer's Southern Reach trilogy; after that we have poetry by Arkady Martine, Rose Lemberg and Emily Jiang, a final interview with Iain Banks, a bonus column by John Clute, and stories by Alex Dally MacFarlane and Ann Leckie.

Our target of $13,500 is enough to allow us to continue publishing at our current schedule, paying our current rates, to the end of 2015. But we do have one stretch goal this year, as well. If we can raise an extra $1,500 (for a $15,000 total), we'll be able to publish an extra 18,000 words of fiction—which would mean more longer stories, throughout the year. Anything above that will go to other general magazine improvements and publicity—hosting more events at conventions, for instance.

We hope you've been enjoying SH this year, and if you have we hope you consider donating. Almost all of your donations go to our contributors: we pay $30 for a poem or review, $50 for an article, and $300 for a story, if that helps you to work out what to donate. But even if you only put in a few dollars, it's very much appreciated. Everyone who's a part of Strange Horizons is proud of the magazine: please help us to make it bigger and better next year. Thank you!




Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
  In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie Subscribe to the Strange Horizons podcast on ⁠⁠⁠⁠⁠Spotify.
Wednesday: Motheater by Linda H. Codega 
Friday: Revising Reality: How Sequels, Remakes, Retcons, and Rejects Explain The World by Chris Gavaler and Nat Goldberg 
Issue 13 Jan 2025
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Podcast read by: Jenna Hanchey
Issue 23 Dec 2024
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By: E.M. Linden
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Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
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