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For the duration of the month of March, the poetry department is temporarily closing to new submissions. The submission portal will reopen on April 1. If you’ve been sending us poetry for many years, you already know it’s ordinary for us to take a month off every year or two, often in December, so we can get caught up on a backlog or focus on another project or have a vacation. This is that.

It’s usually something we note on our poetry submissions guidelines page, and maybe in a tweet, but given the unexpected submissions closure at Clarkesworld this week (read more in this detailed post by Clarkesworld editor Neil Clarkeand since it falls on the same day our Wuxia/Xianxia special issue ends its limited submissions window and since we’re reopening on April Fools’ Day, it seemed prudent to say explicitly that it’s a coincidence and not a pattern.

So far, Strange Horizons has not seen any big spikes in chatbot-generated submissions. It’s also true that in the time period discussed in Neil’s post, we have not been open to general fiction submissions; we’ve been looking at poetry and at a limited-demographic submissions call. (We do sometimes publish poems that use automation or prediction or collage or statistical noise, which is a longstanding tradition in poetry going back at least as far as Dada. We are less interested in predictive-text essays or short stories.) We’re keeping an eye on it and will let you know if our experience changes.



Romie Stott is the administrative editor and a poetry editor of Strange Horizons. Her poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. You can find her fairly complete bibliography here.
Current Issue
18 Nov 2024

Your distress signals are understood
Somehow we’re now Harold Lloyd/Jackie Chan, letting go of the minute hand
It was always a beautiful day on April 22, 1952.
By: Susannah Rand
Podcast read by: Claire McNerney
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Little Lila by Susannah Rand, read by Claire McNerney. Subscribe to the Strange Horizons podcast: Spotify
Issue 11 Nov 2024
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Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
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Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
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