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Direct link: December poetry (MP3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the December issues.

  • “Artifacts in the Lens" by Selkie D'Isa, read by Julia Rios. You can read the full text of the poem and more about Selkie here.
  • “Manteia, Katabasis" by Liz Bourke, read by Liz Bourke. You can read the full text of the poem and more about Liz here.
  • “Power Men" by Jenny Blackford, read by Ciro Faienza. You can read the full text of the poem and more about Jenny here.



Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Jenny’s poems and stories have appeared in august Australian and international literary journals and anthologies, as well as Asimov’s, Strange Horizons, Cosmos magazine, and multiple Rhysling anthologies. Her latest collection from Pitt Street Poetry is The Alpaca CantosEagle Books published her ghostly middle-grade adventure The Girl in the Mirror in October 2019. She is jennyblackford on Facebook and @dutiesofacat on Twitter. www.jennyblackford.com
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Liz Bourke is a cranky queer person who reads books. She holds a Ph.D in Classics from Trinity College, Dublin. Her first book, Sleeping With Monsters, a collection of reviews and criticism, is published by Aqueduct Press. Find her at her blog, where she's been known to talk about even more books thanks to her Patreon supporters. Or find her at her Twitter. She supports the work of the Irish Refugee Council and the Abortion Rights Campaign.
Selkie D'Isa is a poet, novelist, and lover of all things speculative, liminal, and numinous. She believes in ghosts, believes even harder in the internet, remains a flaming queer, and is still trying to convince her daughter that Sleipnir is not a cat. Her writing can be found in Here, We Cross: a collection of queer and genderfluid poetry from Stone Telling 1–7, The Moment of Change: An Anthology of Feminist Speculative Poetry, Queer Fish: Volume 2, and Steam-Powered 2: More Lesbian Steampunk Stories.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
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