Size / / /

Her father was in cigars.
It was when she saw his Manila
(which was the most fantastically long 'un)
that she thought to follow pa’s footsteps.
She designed labels showing cigarillos
exploited in most unusual ways
and cards of artists and actors
being inventive with smoke.
These may have increased pa’s sales,
but colour was outranked by taste
in her hierarchy of the senses
and her talents turned to tobacco itself.
Her breasts would tremble when the mix
reached a woody ginger depth
that only she could tease
from the desperate leaves.

On June 2nd 1883, she outdid herself
and rolled a blimp which tasted of sour buttermilk
gone right. My, it was fit for Gabriel,
who, reclining on his harp,
breathed out juniper ether to titillate the thin
air of Heaven’s Heights. Directions
alight on a clear pool with occasional rain
ripples dying from a grey cloudbank; wisps
then will spread out through lung grapes
become salted in the chest’s seaweed,
and tickle and wrench off cilia
to reveal ubernaked pity. Churchill
would later say it was the best ever,
his smile wrying as the bombs
dropped on Dresden shepherdesses
who held ceramic hands nervously
under lightly painted trees.




Jude Cowan Montague is a composer/musician, writer, and artist. Recent albums are available on the Three Legs Duck and Linear Obsessional netlabels. Her first collection of poetry, For the Messengers (Donut Press, 2011), is a study of Reuters news stories throughout 2008 and is based on her day job as a media archivist and film historian. She improvises using electronica and voice on Reuters stories for her monthly show World News Vision on Soundart Radio. She is also one half of the duo Foulkestone, which performs traditional folk songs with electronic instrumentation.
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
  In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie Subscribe to the Strange Horizons podcast on ⁠⁠⁠⁠⁠Spotify.
Wednesday: Motheater by Linda H. Codega 
Friday: Revising Reality: How Sequels, Remakes, Retcons, and Rejects Explain The World by Chris Gavaler and Nat Goldberg 
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By: Susannah Rand
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Issue 11 Nov 2024
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