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I wrap each useless bauble & bright trinket in
sheaves of Emerson’s self-reliance & JSTOR print-
outs exploring the origin of American individual-
ism in all its smoke & ruggedness. That is not the
metaphor. The metaphor is how our people boil
flesh in its own blood for feast, solder guns out of
scrap metal spark, export our mothers & sisters—
to make it here, there, or any weariness itself is
total caribou shit. It is General Patton’s pipe & a
pair of fake Prada shoes.  It’s a whiff of new
money. It feeds. It is whatever the hell I say it is.
Whatever it is, it’ll need a lot more patis, ma.
Watch me go hard in this piece, ina—

all by lonesome if I have to.



Dujie Tahat is a Filipino-Jordanian immigrant living in Washington state. His poems have been published or are forthcoming in Sugar House ReviewThe Journal, The Southeast Review, Narrative, Bennington Review, Poetry Northwest, Asian American Literary Review, and elsewhere. Dujie has earned fellowships from Hugo House, the Jack Straw Writers Program, and the Poetry Foundation, as well as a work-study scholarship from Bread Loaf Writers’ Conference. He serves as a poetry editor for Moss and Homology Lit, and cohosts The Poet Salon podcast. He got his start as a Seattle Poetry Slam Finalist, a collegiate grand slam champion, and Youth Speaks Seattle Grand Slam Champion, representing Seattle at HBO’s Brave New Voices.
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
  In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie Subscribe to the Strange Horizons podcast on ⁠⁠⁠⁠⁠Spotify.
Wednesday: Motheater by Linda H. Codega 
Friday: Revising Reality: How Sequels, Remakes, Retcons, and Rejects Explain The World by Chris Gavaler and Nat Goldberg 
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Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
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