Size / / /

Traveling alone on these vacant ledges,
I find inroads and bridges not shown
on the map.  
The tugging waves of the dun Pacific
remind me never to stand still,
never turn my back on the real
or unreal.

A mind's surface is like this frothy heave of saltwater
surging toward shore,
beholden to the pullback of tides,
arrhythmic and capable of anything.

I don't look into other eyes, not here.

At evening, a path appears, curling cliffward,
slanting through bunch grass and ice plant,
winding through stunted trees
and the fragrance of rotting crabflesh.  
There are ghost elk in the shadows.
Underneath the surf
pounds a deeper sound,
a heartbeat that disrupts my own pulse:
the quickening of a slow behemoth
about to rise.  

Near the rocks, I kneel
to find a plover nest
crafted out of pebbles and bones.  
The wind scatters broken eggshells.

Tidepools catch fire at sunset,
churning with flotsam and plastic shards,
starfish hands opening beneath the oily surface.
At the waterline, a twisted braid of kelp
writhes toward me across the sand.
A mermaid's beached corpse reanimated,
closer now. Closer, like nightfall.

In the dark, the dunes creep into the camp,
dragging cypress roots, dead jellyfish
and tangled knots of fishing line. The men
shout drunkenly, their long knives strapped
to their thighs, their faces shifting
in firelight. I hear shuffling footsteps
and voices crying out nonsense.

The ocean's guttural roar
tricks me into sleep, but
predawn silence stirs me awake,
and I slip into a third realm.
The color of time now is uncolor,
made of sliding shadows and hesitation.
I float down the road like a wraith,
like woodsmoke over wet earth.
I stumble through trembling branches
reaching out to caress my shoulders.
Night beasts scurry away,
reappear prowling by my side and
twining around my ankles.   

To be lost, to loosen the net
and slip below, might be a way
to escape. The trail follows
the faultline, traces the chasm,
and down there, too,
I could travail alone,
scavenging flotsam from every
shipwrecked dream.

At sunrise, this place unhands me,
strands me at the foaming edge
and leaves me to consider
how morning light reveals
the shapes of seastacks lurking offshore
and how the subconscious, like the sea,
alive with more creatures
unknown than known,
drowns in its own topography.




Carrie Naughton is a freelance bookkeeper who writes speculative fiction, environmental essays, book reviews, and poetry. Her work can be read at Luna Station Quarterly, WordsDance, Star*Line, and NonBinary Review. Find her at carrienaughton.com—where she blogs frequently about whatever captures her interest.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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