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My back drags along the riverbed,
catching on rocks.
Limbs flail with the currents that
sweep me over and under
somersaulting in continuous turns
like the acrobat I dreamt of
becoming
as a young child,
under the spell of dazzling kaleidoscopic lights,
smell of popcorn and buzz of circus music pumped through ancient speakers.
The light teases me each trip ’round,
rippling through the barrage of bubbles and cutting through clear water
like glass.
The rays whisper with a giddiness, “There’s air up here. Waiting.
Waiting for you.”
I wrench back my head, contort my neck, stretch inhumanly long,
willing my form to change and let me
take one last sip
but the current pummels me back down, drags me over the sharpened stones.
Spinning in circles
so disorientating that I lose track
of up and down,
only light and the shards of broken granite,
broken bottles,
and scraps of aluminum
discarded only to be collected by the small dam in its
churning eternal cycle.
Trees gave their branches to add to the
dizzying chaos.
The light darkens,
outside in,
until the black has nearly consumed me.
I tumble in a void.
When my lungs burst, the breath they’ve held finally released,
mouth gaping, gasping, gagging on the foamy currents,
breathing in the water that will never let me escape its perpetual
grasp.



Emma E. Murray explores the dark side of humanity in her fiction. Her debut novel, Crushing Snails, comes out August 2024, and her second novel, Shoot Me in the Face on a Beautiful Day, will be out in 2025. Her novelette, When the Devil, will be out May 2024. To find out more, visit her website EmmaEMurray.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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