Size / / /

She loves the salt wind. Her familiar. All else

is foreign. Even Eagle here is not her own,

the tilt of his wing hauntingly strange. All angled

rock and soft old hills, gentled unwild green.

Old. Everything here is so much older than old.

She's a cranky tourist here. Exposed

with no forest to back herself into.

There's weather here and plenty of it

changing by the moment. There's

the comfort of rain. And Oo hoo ooo

the lovely wind races over the moors

untangled by trees. At the stones

of Callanish it taps each shoulder

to make the constellations spin.

You'd think they were trees.

See it grab the moss on the Truiseil

Stone teasing it in the way she knows.

But lone children here are hard to

find and her basket is empty. Not

that it's often full at home. Nothing to do

but to sit and chat with the Old Woman

of the Moors. Exchange tales around

a peat fire, burning sweet but not cedar.

And what she really loves is that

Old Woman is made of hills.

It makes her feel small and lovely.

But this land needs more dressing.

Needs moss and trees. Needs Raven

to steal them some sun. Needs a bore

of eagles. Salal. What ho for the

transported tropical beach, what ho

for sheep and waves. Time to stretch

her hands to the fire and ride the

ranging winds home. How cedar

has missed me. Alder. Hemlock. My fir.




Neile Graham's life is full of writing and writers. She is a graduate of Clarion West Writers Workshop and currently serves as their workshop director. Her poetry collections are Seven Robins, Spells for Clear Vision, and Blood Memory, and a spoken word CD, She Says: Poems Selected and New.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendelsohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Wednesday: Under the Eye of The Big Bird by Hiromi Kawakami, translated by Asa Yoneda 
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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