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To tell the truth, dearest ones, our home is
misnamed—by those mediums of Northern climates—
rather it reminds me, when I trouble
to remember, of late spring or early fall: fresh

and sunny, and when you wander the orchards,
your robe’s light, long sleeves swimming
with your motion, the trees bear fruit
and flower on the same branch—both delicious (of course

I’ve tasted the petals too; if anything I have only become
more curious, knowing now how much more there is
to learn). Or you can roll up those sleeves to do
some gentle garden work, meditative and

invigorating. We do not, of course, need a harvest to eat—hunger
is a memory, starvation a silly rumor—nor blossoms
to add more beauty. You know I never cared much
for flowers, but all beauty is meaningful here, and everything is

beautiful, and everything beautiful
can be trusted.

Those who prefer snug sweaters, the soothing of low
gray skies, the eloquence of pattering rain, dancing storms
of leaves in flaming colors, or the bittersweet
smoke of burning leaves, or the breathless sublime of blue

ice have their pleasant regions too. We visit them, travel as easy
as thought unless the adventure of a long journey is
desired; we meet on neutral ground, in cities lovely in
ways impossible for the living world—did this hand, in its

automatic pilgrimage across the page, write cities? I won’t
scold, yet it is our one disappointment, how difficult
communication has become. Communication with you,
that is, which goes back to what I am saying: how much

cannot be described. We have no language
anymore, except for fun, as when Sappho declaims
her newest compositions for us (accomplishing such things
with telepathic caesura!).

Remember, my loves—I remember with a laugh—how
archly we sneered at revelations that here
were cigars, and sex? Yes, both—and without the costs
your world imposes on them. To spare you blushes, I will

not say more. Though I must say
embarrassment is one thing I do not miss. Nor sneering.

   Sweethearts,
the most absorbing debate here is whether
the before-life ever existed, and if so, what

its purpose was. Sometimes I wish you would
leave me a token, selfishly, for the satisfaction
of proving my case to others
—within my own soul, I have faith. As to

why, well, I think the reason was
to teach us how to long for all these things we
dwell among, and could so easily take
for granted if we had not wanted

and found having them, until now, impossible. Do you read
what I am saying correctly?

 

 

[Editor’s Note: Publication of this poem was made possible by a gift from AJ Wentz during our annual Kickstarter.]



T.C. Mill is a bisexual, bereaved writer living in Wisconsin and working as an editor (one answer to the question “What do you even do with a philosophy degree?”). Her poetry and fiction have appeared in Litro, the anthology All Poems Are Ghosts, and Best Women’s Erotica of the Year, volume 2. She blogs at TC-Mill.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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