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We hadn't disliked the grandmother we'd had
But she was a wolf now
One accepts things.

Mother stopped her cookies
Baked sausage rolls instead
And we never went to visit alone.
Grandma snored through the walls
Like growling, slobbering
Bestial and ravenous
She smoked like a factory
Used forbidden words
Told us politicians were liars
Her teeth were so long
So long and so sharp.
The wallpaper had been flowers on a yellow background like sunshine through curtains
It grayed and spotted with tobacco smoke
Curled in like crepe myrtle bark
Skinned itself away from walls the color of despair
And limestone caves.

It's underground dark in Grandma's house now.
She abdicated eyebrow plucking. She's got hackles under her church hat.
I think she has a gun.
"It's eat or be eaten," she says around a drag.
She doesn't trust woodsmen or policemen any more.
And they don't trust her.

She doesn't babysit. Mother puts my red hoodie on me
Makes me sit in office waiting rooms and public libraries
While she runs errands.
The water fountains taste like cough syrup.
And old men hate the weather loudly.
"My grandmother is a wolf now," I say
To a man who is a spotty pumpkin
Left too long on his side.
He starts to scold about respecting your elders,
Instead he folds his hands around his cane and says:
"Live long enough, everybody gets like that."




Leslianne Wilder is the current terminus of a straight line of armed East Texas matriarchs. She currently resides in Oxford, in the United Kingdom, with an exceptional spouse. Her short fiction has been published in Shock Totem, Beneath Ceaseless Skies, and Psychos: Serial Killers, Depraved Madmen, and the Criminally Insane, among others. This is her first published poem. She blogs at Skull Honey.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
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