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Who conjured dreams for the devil when he fell in hell?
He slept well because he knew there is no hell in hell.

I do not know how I am cold around your burning
violin—a song is but fire for those who dwell in hell.

You are glowing like an angel lit by a red-light district.
Beg, borrow, bribe, or steal—prayers do not sell in hell.

You can check out any time you like, but you can never leave. Yell
for California when there’s fire in heaven, call to book a hotel in hell.

Moon swells silver tides, a ventriloquist of the night. You aren’t able
to recall slivers of our dream? Don’t worry, it will ring a bell in hell.

Could you love a shell to death so it bombs in benedictions?
Kill the infidels if that helps you sleep, they will live well in hell.

An illusion is truth untouched of pain. Inside how many names can I lose
myself? Eventually all words waste magic—no one can spell in hell.

If I choose to be a prisoner it would be as the hum of your lungs.
Dying is not music nor god, the dead warn from their cell in hell.

I dried up your body’s water, so why are you compelled to forgive rivers?
“Your white womb, wet poems, it’s all here—including your smell—in hell.”

I live between sacrifice and shelter, come out when it’s dark enough
for sunrise. Convince me to leave. No, Shannan, there is no farewell in hell.



Shannan Mann is an Indian-Canadian writer, mother, and University of Toronto student. She has been awarded or placed for the Palette Love and Eros Prize, Foster Poetry Prize, Peatsmoke Summer Contest, Rattle Poetry Prize, Pacific Spirit Poetry Prize, and Frontier Award for New Poets. Her poems have appeared or are forthcoming in The Literary Review of Canada, Poet Lore, Gulf Coast, Strange Horizons, and elsewhere. You can find her at https://linktr.ee/shannanmania.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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