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It has been knocked flat—
the line between
collapsed and at rest.

***

How to distinguish
cause and effect without errors
of denying antecedent
or affirming consequent?

Can we dowse that line
between self-flagellation
and self-defense?

What boundary arbitrates
passivity when disability is designed
designated as divine punishment, just
suffering?

***

Let the robots do the work!
if we are made in their image anyways
perfect laborers, needless
of thanks.

Tang ping:
a generation born exhausted,
blamed from birth

like it is the fault of bees
that there are no longer wildflowers
to sustain a stolen sunset.

as though sleeping beauty
was a layabout
and not twice cursed.

***

Why struggle to find it:
that boundary that separates
a pile from a heap
when the house is on fire?

When we might acclimate
to accubation, a clime of rest
as sibling to resist

pacifism in passing
without passing on.

***

The nature of a warrior
has ever been as inscrutable
as any of the other great questions

(so many of them thrown here
like knives, obverse to theme)

and yet we raise our silence to say
we fight by refusing
to stack our spines upright
knowing you will only steal them
to make sticks
to beat the others
into further building blocks

the answer as flat as the page
no more dimensions to harm in

just princeless glass coffins
and apologies for writing
the wrong stories
this three-dimensional harm
grew out of.



Lynne Sargent is a writer, aerialist, and holds a Ph.D. in Applied Philosophy. They are the poetry editor at Utopia Science Fiction magazine. Their work has been nominated for Rhysling, Elgin, and Aurora Awards, and has appeared in venues such as Augur Magazine, Strange Horizons, and Daily Science Fiction. To find out more, reach out to them on Twitter @SamLynneS or for a complete bibliography visit them at scribbledshadows.wordpress.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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