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in the night, my body unravels itself. I drift,
cartilage sighing apart like petals. the bones
are the meat of the thing, so to speak—
lately I have taken to waking after midnight
just to hear my ribs concave. it is
a beautiful thing, a forest-floor of a body,
the beginning un-weave before loam.

we are born as cobweb creatures, all
nerve endings & capillaries, alveoli
& filament flesh. in my bed, I have a sense
of the opposite: the slow growth of fungi, the rot.
life springs from death; no, say it seeps, a river
borne red from the rock. have patience.
breathe deeper. accept the wounds, the spores,
the unzipping of dream-ravaged flesh. bear up
beneath the change.

one day I will wake, I know, six inches deep
in mushrooms, a fertile store to feed them
as they bloom. til then I’ll close my eyes each night
to the silent sound of growing, of hyphae prying open
all my cells.



Jennifer Mace is a queer Brit who roams the Pacific Northwest in search of tea and interesting plant life. A four-time Hugo-finalist podcaster for her work with Be The Serpent, her short fiction and poetry may be found in magazines such as Baffling, Uncanny Magazine, and Reckoning. Find her other works online at www.englishmace.com.
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23 Sep 2024

By: LeeAnn Perry
Art by: nino
Programs such as Deep Blue (b. 1995) and NeuraMind (b. 2015) had been capable of defeating the most skilled humans in strategy games since the early twenty-first century. However, the goal of second-generation programs such as Albion was not to defeat human players, but to imitate them.
life springs from death; no, say it seeps, a river
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