Size / / /

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Twist and love and love and twist
I am the mother of monsters
I am a monster of mothers
Laundry and necks and necks and laundry
Step and monster and mother and step

A story can be grim but it can’t mother
the way bears do. The way they eat
their young if they will starve. I would eat
my young. I would eat my heart. I cannot bear
this dance. Mother of monster. Monster mother.
Mother monster. I will eat your heart.

Better to survive than bear
what will kill you. Bears have learned
wombs are not worth more than a bear. Mama
Bear is an animal fertile and wild and wild and fertile
this is what makes us mothers. But this cannot be
born. They do not like reminders that mothers are
monstrous. We bear life and bare life
strips us of that which makes

mother only only mother

(human is not used here not even once)

Hands rung and wrung hands
(Scarlet ringing necks and wringing necks)
(This is reserved for the stories in which I am)
(Step)(mother)

Womb born out, I am erased
Replaced
Stepping into my own story I
embrace my
monster

mother of monsters monster of mothers
monster of mothers mother of monsters
Twist and love and love and twist



Dyani Sabin is an author of speculative fiction, poetry, and science journalism. Her work has been published in National Geographic, The Washington Post, Popular Science, and Scientific American, among others. You can find her haunting a cornfield, chasing ghosts on the endangered species list, or on Twitter @DyaniSabin.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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