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leaving the house & my mother tells me

change your dress     she says

it will attract attention         she says

not like other mothers

who worry about bare thighs and catcallers

 

but my dress goes down my calves

has sleeves that can be tugged down my wrists

& my mother still does not want me                 to seek attention

imagine going out in this dress & becoming

a bloody clarion call                     for all the bad things                 to come

a boar-head spirit following my back

while i sway in the wind like a matador’s flag

a long-tongued ghost laps at my silk skirts

until they stick to my shins

as i wait at the bus stop

& watch the faded orange paint chip away

far away             a dog howls

 

my mother     she says         your lipstick is too red

&                         you should throw it out

i have ten of them now         rolled in a drawer

rust & ruby & rose                 cream & velvet & gloss

i paint them on

watch               watch

this scarlet mouth     & my scarlet nails

in a long red dress     i stand at the bus stop                 & i wait



Natalie Wang is a Singaporean poet. She has been published in Fairy Tale Review, Cordite Poetry Review, and Quarterly Literary Review Singapore, amongst others. Her book The Woman Who Turned Into A Vending Machine is a collection of poems on metamorphosis, myth, and womanhood. You can find her at www.nataliewang.me.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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