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The nights there in the mountains
were cool, almost cold
and we spent the summer
tilling, churning, and sipping
moonshine and sweet sable wine.

One night we got an old
TV-VCR combo working
and watched My Cousin Vinny
four or five times
and laughed at all the jokes
and at the way things used to be.

We never talked about the war,
but instead nailed it to an aspen
near the latrine and regarded it
sometimes, warily in passing
our tragedies kept neatly
on the shores of conversation,
sealed safe in the half-dream
mumbles of predawn waking.

Still on quiet evenings,
you could almost hear
the world falling out there
somewhere, everywhere
beyond the sunset.

We knew that the bugs
would find us eventually,
the signs were all around us:
the bird cherries turned black in spring,
swarms of salmon flies
dropped dead out of the sky,
the body of a malformed doe
not two miles from camp
her left flank half a-comb
of dripping hive honey.

And one night,
Rache even woke
to find creeping upon her leg,
the nine-inch form of what might
have once been an insect,
orchid-like and bleeding color;
sipping ichor, incepting her veins
with its own nymph dreams
and infectious spotted fever.

After Sadie crushed it with her Bible,
its remains resembled half a mantis,
half a shattered hard drive.

It belonged to no army we knew
(we knew no armies under our rock)
the rogue run off the beaten path,
its serial, logo, and man.date were to us
like all the world beyond the woods,
mangled, mutant, and indiscernible.



Mack W. Mani is an award winning author, poet, and screenwriter. His work has appeared in magazines and anthologies including Spectral Realms, The Pedestal Magazine, and The Rhysling Anthology. In 2018 he won Best Screenplay at The H.P. Lovecraft Film Festival. He currently lives with his husband in Portland, Oregon.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
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