Size / / /

If it were dead,
you'd burn it.
Scatter ash to the winds, to the sea,
silent life buried in a shroud of earth.

If it lived, you'd take
the harvest in a black bowl:
first fruits, sweet and sustaining,
blood and honey for juice.

If there was a storm,
you'd watch it uprooted
from the safety of your window, protected
against the howling it struggles to bear.

There is no shade in summer,
no autumn nut-gathering.
In winter, it waits for death—

but in the spring,
a single bud:
one living,
held breath.

It clings to the world
as you watch.

Publication of this poem was made possible by a donation from Rachel Swirsky. (Thanks, Rachel!) To find out more about our funding model, or donate to the magazine, see the Support Us page.



Madeline Sebastian Burtenshaw is relatively new to poetry. Her first public performance was her poem "Dare to Reach," commissioned for the Greenbelt 2012 Goth Eucharist. Her writing interests encompass speculative fiction, relationships and gender, faith and doubt, gothic subculture, and her six mad cats. Her website is madelineseb.wordpress.com.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
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By: Christopher Blake
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