Size / / /

The boy and his father

were deep sea fishing;

the small boy, cutting bait.

Suddenly, a monstrous shark

rose halfway out of the water next to the boat

and swallowed the boy whole.

Inside the shark,

knife still in hand,

even in the dark the boy knew what to do.

He cut the soul out of the shark.

Immediately, the sky opened with teeth

and the boy escaped the darkness

unscathed.

Still, something hard

escaped with the boy.

He was, as always, himself to the eye,

but the hearts of those who knew him

caught other glimpses.

At the beach, when he swam in the sea,

he moved swiftly

with a sort of deadly determination

that drove others to the shore.

While friends swam to the wooden platform

and rested there in the sun, laughing,

he drove on past

and further and further into the sea.

One day,

a friend, looking west from the platform,

saw a giant white form

rise in front of the distant swimmer,

come down like sea spray over the boy,

and then both the boy and vision were gone,

replaced by a dark fin

cutting out to sea.




Cathy Ackerson’s poetry has appeared in venues including Caprice, The Dragonfly, Out of Sight, and the anthologies But Is It Poetry? and Poets West. Her artwork has appeared in several publications from Dragonfly Press including Rocket Candy.
Duane Ackerson's poetry has appeared in Rolling Stone, Yankee, Prairie Schooner, The Magazine of Speculative Poetry, Cloudbank, alba, Starline, Dreams & Nightmares, and several hundred other places. He has won two Rhysling awards and a grant from the National Endowment for the Arts. He lives in Salem, Oregon. You can find more of his work in our archives.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
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