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The moment we played the song of her spring
a startling change washed over my aunt—

only her eyes remained closed in sleep,
but her age poured off everything
else, her features slipping backwards
in time as the melody slipped through her ear
and kick-started the hidden, rusty mechanisms

of the body: new ink trickling
through each hair, skin smoothing out
like a shirt pressed under an unseen iron,
lips unfurling upwards like budding leaves,
having released the weights that had grown
heavy with years below the jaw.

By the chorus she was a young woman again.

We dared not wake her, afraid of breaking the spell.
Surely this was what people meant
when they spoke of music’s healing properties—
how it reminds the body that it was once
free of pain and full of possibilities.

Quietly and methodically
we lined up song after song
until we had a playlist that unfolded
across her decades—it would steer her
through a dream lasting lifetimes.
But after a few days of this, we realized
she would soon starve unless she woke up
to eat. If she lived
in beautiful young sleep forever
she might as well have been dead.
Slowly we wound down the music,
hoping it had undone enough damage …

As if she had been waiting for this intermission,
her lids lifted like heavy curtains, the night
within her peering out through the dark marbles
of her eyes, wet and tired, recalling who
she now was. Trapped. She had to come back
and so she was back, our aunt, our dear old aunt.



Yee Heng Yeh is a Malaysian writer and Mandarin-to-English translator. His poetry has been featured in The KITA! Podcast, adda, Strange Horizons, and a few local anthologies, and was shortlisted in the Malaysian Poetry Writing Competition 2021. His translations of poetry are forthcoming in Mantis. You can find him on Twitter @HengYeh42.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
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