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i can’t be trusted / around my own blood / say garden / say grotesquerie / say yes / laboratory / lobotomy baby / before i was a body pillow / i was a god / grieving the summers i spent / in the hot mouths of men / brilliant flashes of teeth / before nothing / skirt hiked up higher / and higher in every parallel universe / say / wind-up girl / why must you rewire your scent / to suit their tastes / tinfoil / tuna / tantalizing / bones blown into chandeliers / see my other selves / trapped in some mad scientist’s electromagnetic field / of flowers / o avant-pop princess / o oracle / artificial bride / anna may / she-machine / recalibrating the speed / of your body’s rot /  i can’t be trusted / not to crack open my own circuitry / to mark the skin / with another woman’s bite / to cry / only when there’s a man in the room / to watch me / sucking in my cyborg stomach / on the empty stage / metal scraping metal scraping skin / tectonic touch / my eyes / any color you want / orbiting yours / eyes that orphan mine / my body hacked up / into parts / say pearl / say grain of rice / i’m aching all that’s left / of my half-lidded lifetime / let’s touch / base / no flesh / but steel dyed the shade / of spider lilies / lurching all of me onto the train / returning home /  o dark unforgiven imagination



Stephanie Chang (she/they) is an undergraduate student at Kenyon College, where she received the $60,000 S. Georgia Nugent Award in Creative Writing. Her work appears or is forthcoming in The Rumpus, Adroit Journal, Offing, Penn Review, Waxwing, and Asian American Writers’ Workshop. She is the Editor-in-Chief of the OROTONE Journal.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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