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1.

 

at twelve you are Cassandra

sitting on the rooftop with your mouth full of snakes

 

you know already your body will rot

like a peony, over-plump

and full of starving ants

 

you know your flesh will mangle itself

as it has begun already

 

2.

 

it helps to think of yourself as an animal

 

a dog, a horse, something to thump

the flank of and inhale their earthy scent

and whisper sweet meaningless things

into their ears

 

a body that runs and eats and sleeps

and smells of sweat and mud

and is stroked long and loving each night

after a job well done

 

3.

 

it helps to think of yourself as a painting

 

impressionists, renaissance, flesh adored

in wild color and gorgeous light

 

the bodies of round-hipped maidens desired

by no less than bulls and gods

 

4.

 

it’s all about the lighting

we all know this

purchase lipstick in a hundred shades

 

chin out, mouth open

flaunt your teeth like candy

flick your tongue like a snake

hold the shutter down

and do not let go

 

5.

 

we are learning how to disappear completely

into the void of ourselves

 

6.

 

your body is like an empty frame

waiting for marriage

 

your soul is a portrait in blood

and invisible ink

 

you polish yourself like a pearl each morning

this art is subjective

you tell yourself that



Margaret Wack is a writer, poet, and classicist whose work has been published in Strange Horizons, Liminality, Twisted Moon, and others.  More can be found at margaretwack.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendelsohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Wednesday: Under the Eye of The Big Bird by Hiromi Kawakami, translated by Asa Yoneda 
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
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