Size / / /

During the elongated years everyone stretched.

Some were not unattractive this way. Women on the whole fared better than men, who merely appeared cadaverous to varying degrees. Certain weighty women of the proper proportions— though still ponderous in stance and movement—became irresistibly vulpine, the height of high fashion. Vogue models were extended to grotesque stick figures.

It was not only the physical world that elongated but the passage of time itself. Days were stretched so far that some of us took to nodding off in the middle of the afternoons. Not that we never had before.

Dinner parties, at least the dull ones, became intolerably prolonged, often resulting in several suicides before dessert could be served.

A visit to the dentist was like a sentence to Dante's Hell without the poetry.

The nights seemed as if they would never end. In the elongated dark there was time for anything to transpire. As we shifted our pillows and bodies this way and that we would drift in and out of a twilight world, never completely conscious and never fully asleep. In this halfway place, dream life warred against dream death. Dream symbols took on the dimensions of parsecs.

Our lives were stretched beyond their limits.

Elongated sex proved our salvation. The male orgasm achieved a duration formerly known only to the female. The female orgasm found time to develop such breadth and depth that even Kama Sutra sex adepts of the mysterious East were lost in its infinite fathoms.

Now that the elongated years have passed and our protracted travail is history, it is strange how we at times recall those days with a certain fondness. Stranger still that some seem to crave the return of unnatural length to our lives.

We are again our normal sizes. The seconds and minutes move forward at a regular pace, clicking with diurnal insistence. The clocks keep melting as we knew they would. And I can't help wondering if it could all be over before we ever elongate again.




Bruce Boston is the author of forty-seven books and chapbooks, including the novels The Guardener's Tale and Stained Glass Rain. His writing has received the Bram Stoker Award, a Pushcart Prize, the Asimov's Readers Award, and the Grand Master Award of the Science Fiction Poetry Association. You can read more about him at www.bruceboston.com and see some of his previous work in our archives.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Load More