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The universe is dying.
I can tell by how the stars are flicking off like lightbulbs.
But that’s why I’m here, electrician to the sky,
R5-70, a nanobot with 3,000 siblings.
We crawl through the dim space like cave explorers,
poking, twisting and tightening the stars that have turned off.
And as they blink back on memories scorch us
like solar flares from the Sun,
burning, because the past is angry for being forgotten.
Here is one, I see my daughter,
chicken wing arms and jalapeno eyes.
She’s hugging me because she got a good report card.
I’m telling her I’m proud.
And then my body is sizzling as though I’ve been
thrown into lava.
It’s another memory,
another star turning back on.
My daughter’s chicken wing arms are replaced
by Mother’s jellyfish ones.
Mother is walking me to school,
double knotted shoes and neon green sunglasses.
I tell her that I want to look my best for Julia,
my crush since last school year.
So, Mother opens her mouth to reply with words I can’t recall.
I feel cold as a comet. The words are trapped behind her lips.
They will die there, caged and forgotten,
because it’s too late.
The star flickers off, keeping its prisoners for eternity.
The universe is dying, a few thousand more stars to go.
We nanobots strive to keep all the stars on,
but they’re dying too fast—
the asteroids are snapping the wires.
Soon, it will be dark, and all the memories will be gone.
When that happens, the universe will be dead,
and we will be reassigned to repairing and maintaining
another dying universe
inside another person’s head.



Michelle Koubek is an autistic writer who taught special education for several years before becoming a full-time writer. Her first YA sci-fi novel is still looking for its forever home, but other works of hers are either forthcoming or published with Factor Four Magazine, Star*Line, and Dreams and Nightmares. Visit her website: https://www.michellekoubek.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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