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They sit on steel crates
talk about how
they could shoot down crows

not the birds, but those slick veins
                    on old lady liberty’s legs.
She tips well,
tells all her friends we’re good
because we don’t talk while we work.

Along a strip alley on 40th,
a naked bulb swings in a room above a 4-dish-1-soup kitchen
bodies reduced to shadows
scuffed tiles and jars filled with medicinal tea
                    and outside: magic hour light.

Here: magic is as real as the woman
who scrubs your bathroom clean every Tuesday
and then ceases to exist.

Here: the bones on your plate
are a reminder
that something is now a part of you forever.

When the witches ask what you want
Tell them
                    you could be nonhuman too

a protagonist in an ancient melee of night flowers
waxy leaves, tendrils of fragrance, all this skin
that will never bear fruit

Tell them
you don’t need
this lurid cage of lust and
                                                              grief,

this hair, these thighs, these shredded
dreams tattooed into your heart
Let the witches swallow it all
                    until their bellies are full, until they
                                        split and spill
                                                            erupting out of the shadows

into the burning streets.

 

 

[Editor’s Note: Publication of this poem was made possible by a gift from Kerry Lambeth during our annual Kickstarter.]



Angela Liu is a Nebula-, Ignyte-, and Rhysling-nominated writer/poet from NYC who writes about intergenerational trauma and weird things. She formerly researched mixed reality storytelling at Keio University in Japan. Her stories and poetry are published in Strange Horizons, Clarkesworld, The Dark, Interzone Digital, Lightspeed, khōréō, Uncanny, and Logic(s), among others. Check out more of her work at liu-angela.com or find her on Twitter/Instagram @liu_angela.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
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Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
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