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I wasn’t made by the goo of dna or an egg of reverence.
I wasn’t made at all. Out of the silence I was blurted out.
My little hungry little cells ate up the cosmos.
There was magic. You can’t conceive of the magic.
It was blue, fragrant, and angry like a flower on a mountain.

At the beginning of everything, if there was a bang,
there was also a build. Then one day there was iron,
one day there was blood, one day there were bruises.
On the day you beat the metal
buckle of your belt into my knee there were bruises.

I climbed to the roof of the forest on a white-ashen birch.
Like a father holding its crib before his baby is born,
the trees held me in their canopy.
Over the wood, I could see the land dipping into a valley,
and beyond that was a ridge of high tectonic cliffs.

There were rivers, glaciers, moraines, volcanic deserts, kingdoms
of ordinary men, huts on the bay, fisherman, weaver-women,
children in their thousand-acre forests.

I got strong walking. Lights would glow from my fingers,
my hair grew even though I cut it every day.
If I sat down, a dog would crawl into my lap.

My father took a baby starling and buried it in the ground to die.
The rain beat into the earth and made it soft.
The starling learned to sing, not only its own song,
but all the songs of birds, the history of music;
the song made in and out of silence.



August Huerta is a poet from Austin, Texas. They are a recent graduate of The New Writers Project at the University of Texas at Austin. They are a 2019 Rhysling nominee and will be featured in a forthcoming episode of poetry podcast This is Just to Say.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
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