Size / / /

Every now and then

one comes up in the net.

Usually, they are long dead,

though a few show some flicker of life,

enough to glare at us,

gnashing their teeth

till the ropes are frayed

before they give up the ghost

or whatever it is that possesses them.

Sometimes I think perhaps they are

victims themselves,

caught under bridges near the sea

by a sudden outtake of tide,

pulled from their moorings by the moon

and swept out before they can tempt

any passerby into rescuing them.

Or maybe they have merely taken

unreasonable risks,

wading out to sea to lure lifeguards

into returning them to land,

hoping to bite any samaritans

all the way back

to show their delight at being rescued.

Then, in the midst of pretending to drown,

they discover they really are drowning,

no rescue in sight.

Still, none of us really knows

how they get into the nets,

replacing the usual mermaid or sea serpent.

And we'd really rather have

the anticipated wonders.

Sometimes they damage the nets so much

even the sea serpents can slip through,

leaving us to hold up spread hands impotently

to signify the one that got away.

From the shore,

our wives salute us back

with empty kitchen pans.




Duane Ackerson's poetry has appeared in Rolling Stone, Yankee, Prairie Schooner, The Magazine of Speculative Poetry, Cloudbank, alba, Starline, Dreams & Nightmares, and several hundred other places. He has won two Rhysling awards and a grant from the National Endowment for the Arts. He lives in Salem, Oregon. You can find more of his work in our archives.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
Load More