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In the country, they burned all of you.
Croppers, with their electric fences and silos and shotguns.
In the city, we weren't so smart.
When your people came down from the stars
we put you in jails and cellars and basements,
but we let you live.
You, I let live.
At first you yanked at the knob, desperate.
Now you scratch it out of habit.
The stars have evaporated.
What’s that about, I wonder?
You won’t tell me.
I lean against the closet that’s become yours.
Through the broadening
crack beneath the door,
your light leaks around me
pulsing, pulsing
as if coming from a severed vein.
Please, please. Your voice
is like static, the echo and whine
of a canticle coming
in and out of focus, the station
not quite right. Please.
After all I’ve said, is that the only word
you know? You know,
I’m trapped too.
Can’t just walk out of this apartment.
I pass the time getting drunk and watching
your brethren, fiends in the streets, blood staining
their throats. Their voices
mellifluous and beautiful.
Limbs stretched and translucent, silhouettes
flaring bright as glass
melting in a kiln, repeatedly
reshaping themselves.
A grace and a terror
to behold.
The world has done this to you, not me.
Some promise must have been broken
between your lord and mine.
Please, you ask again, pressing against the door.
I can feel the heat seeping through the wood,
your face so close to mine.
At the bottom of the door
where you are making the hole
a petal of burnt ash
drifts away.
I wonder how long it will take
for you to reshape a gap
large enough for you
to come out.
Will you let me live.

You don’t tell me.
Just a scratching, please.



Laura Cranehill is a writer based in the Pacific Northwest, where she lives with her spouse and three children. Her debut novel Wife Shaped Bodies is coming out from Saga Press in April 2026. You can find her on socials @LauraCranehill.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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