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In the country, they burned all of you.
Croppers, with their electric fences and silos and shotguns.
In the city, we weren't so smart.
When your people came down from the stars
we put you in jails and cellars and basements,
but we let you live.
You, I let live.
At first you yanked at the knob, desperate.
Now you scratch it out of habit.
The stars have evaporated.
What’s that about, I wonder?
You won’t tell me.
I lean against the closet that’s become yours.
Through the broadening
crack beneath the door,
your light leaks around me
pulsing, pulsing
as if coming from a severed vein.
Please, please. Your voice
is like static, the echo and whine
of a canticle coming
in and out of focus, the station
not quite right. Please.
After all I’ve said, is that the only word
you know? You know,
I’m trapped too.
Can’t just walk out of this apartment.
I pass the time getting drunk and watching
your brethren, fiends in the streets, blood staining
their throats. Their voices
mellifluous and beautiful.
Limbs stretched and translucent, silhouettes
flaring bright as glass
melting in a kiln, repeatedly
reshaping themselves.
A grace and a terror
to behold.
The world has done this to you, not me.
Some promise must have been broken
between your lord and mine.
Please, you ask again, pressing against the door.
I can feel the heat seeping through the wood,
your face so close to mine.
At the bottom of the door
where you are making the hole
a petal of burnt ash
drifts away.
I wonder how long it will take
for you to reshape a gap
large enough for you
to come out.
Will you let me live.

You don’t tell me.
Just a scratching, please.



Laura Cranehill lives in the Pacific Northwest with her spouse and three sons. Her work has appeared or is forthcoming in Vastarien, [PANK], The Future Fire, and elsewhere.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
The Lord of Mice’s Arrows 
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Friday: One Hundred Shadows by Hwang Jungeun, translated by Jung Yewon 
Issue 4 Nov 2024
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By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
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