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Strange Horizons Gallery Presents...

Andrew Woolf: Views From The Interior

My work is often impressionistic and is influenced by modern Surrealism, and contemporary Japanese styling methods. I come from a formal background in painting and drawing. I've been exhibiting since the late 1970s, moved into computer art five years ago, and currently output exclusively digital work. My primary methods include pixel painting and drawing, digitaized photography, and 3d modeling and design. My focus is to produce works . . . that have the warmth and feel of classic art forms, yet are 100% digital. My studio is in Yucca Valley, CA, where I work as a freelance artist.

For the Strange Horizons gallery, I have selected pieces from four thematic genres within which I often create. These are (in no particular order) Allegorical Surrealism, Abstract Surrealism, SF portraiture, and SF Film Scenes. In studio I'm most comfortable working spontaneously, preferring to allow my subconscious the lion's share of the conceptualisation process.


Contact Andrew Woolf by email.

Banshee ©Andrew Woolf 2000

Tour Andrew's work, piece by piece. View thumbnails of Andrew's work.

If you are interested in submitting art for the gallery, please read our submission guidelines and then contact us at art@strangehorizons.com.


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Bio to come.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
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does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
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Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
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