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Einstein once described his life as a series of attempts to free himself from the chains of the "merely personal." That's an interesting phrase: "merely personal." Does the personal deserve to be prefaced by the word "merely"? There's a sense in which that question lies at the heart of the divide between SF and mainstream fiction; SF readers routinely criticize mainstream fiction for focusing too tightly on the personal, while mainstream readers criticize SF for giving short shrift to the personal.

Which is the greater tragedy: the fall of an empire, or the end of your marriage? Is it more important to make a major scientific discovery, or to be a good parent to your child? It's a false dichotomy to say that fiction should only concern itself with one or the other; all of these issues are worthy subjects for fiction. Unfortunately, it can be hard to tell stories on a grand scale and an intimate scale simultaneously, and most fiction prioritizes one over the other. Science fiction has traditionally opted for the fall of empires and the scientific discoveries, but that preference is not intrinsic to the genre.

One of the writers who helped me realize that was Edward Bryant. The stories in his collection Particle Theory showed me that science could be used metaphorically to illuminate human experience, and that the personal could reinforce the "big ideas" rather than compete with them. I discovered him when I was in college, at the same time I first started reading writers like William Gibson and Gene Wolfe and John Crowley. They all expanded my ideas of what SF could do, but the one whose influence on my work is clearest is Bryant.


Read "Particle Theory," by Edward Bryant




Ted Chiang is the author of the collection Stories of Your Life and Others and, most recently, the novella The Lifecycle of Software Objects. His fiction has won the Hugo, Nebula, Sturgeon, and Locus awards.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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