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Welcome to the 2012 Strange Horizons fund drive! Over the next few weeks, we'll be asking you to donate to the magazine, to help us raise funds for the next year. As you almost certainly know if you're reading this, Strange Horizons is run by volunteers, and it's your donations that enable us to keep publishing each week, and to pay our contributors.

But read on! Because for this year's fund drive, we've got some additional specific goals and rewards.

First, a quick recap. It's been, in some ways, a year of change for Strange Horizons. Most obviously, we've seen the handover to our new fiction editors, Brit Mandelo, Julia Rios, and An Owomoyela. They've hit the ground running with energy and enthusiasm, and as a result in the next six months we have some great stories coming up by Sofia Samatar, Karin Tidbeck, Lavie Tidhar, and other writers both new and established. We've also had a renewal in the poetry department, where AJ Odasso and Romie Stott have joined Sonya Taaffe.

In the meantime, this year we've published stories by Molly Gloss, Samantha Henderson, Benjamin Rosenbaum, and others; work by poets including Rose Lemberg, Caitlin R. Kiernan, and Sofia Rhei; articles on climate change in sf, airships, and Batman; in-depth reviews of recent books, films and TV; and regular columns by Genevieve Valentine, John Clute and more. As ever you can browse the archives to sample the full range of material.

So what's next? Well, as last year, our official fund drive target is $8,000—that's what we need to raise to keep the magazine ticking over. We'd like to do more, though, so this year we have a series of additional targets. Some of our departments have been at the same pay rate for half a decade—so if we raise $9,000, we'll increase our pay rate for poetry, and if we raise $10,000, we'll also increase our pay rate for reviews. We'd also like to give you more ways to enjoy Strange Horizons content, so if we get all the way to $11,000, we'll begin publishing free podcasts of our stories. All of these changes would take effect on 1st January 2013.

Since we're aiming to raise more this year than we've ever raised before, we've expanded our rewards as well! As usual, every donor will be entered into our prize draw—we'll be announcing new prizes throughout the month, but already we have a signed ARC of Alaya Dawn Johnson's new YA sf novel, original artwork by Alastair Reynolds, poetry ebooks, an enormous zombie anthology, and more. In addition, if you donate to a specific level you'll be eligible for bonus rewards—including the last of the current run of Strange Horizons t-shirts and mugs. See the main fund drive page for details.

And finally, we've put together a fund drive issue of the magazine, with bonus stories, poems and articles to be revealed as we raise more money. To kick things off, when we hit $2,000 we'll be publishing the first part of a new Ken Liu story, "Good Hunting," a powerful and genre-blurring tale about change and endurance.

So that's what we've got for you, over the next few weeks. We hope you've been enjoying SH this year, and if we have we hope you consider donating—and, if you're so inclined, please do help to support the fund drive by tweeting, tumblring or plain old-fashioned blogging about it. Twelve years in, Strange Horizons is still an enormously exciting organisation to be a part of; help us to take it forward, and make it bigger and better than ever. Thank you!




Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
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