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We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre. We hope you will enjoy our offering of stories, poetry, essays, and reviews, all commissioned and curated by the Strange Horizons editorial collective.

In Jennifer Hudak's story, “The Last Time Gladys Howled At the Moon,” a werewolf battles to come to terms with her own ageing. Purbasha Roy's poem, “Everyone Dies,” reflects on, and contemplates the acceptance of death. But if ageing is not simply about an inevitable journey towards death, but also about the transformations on that path, then R.B. Lemberg's “The blanket, the secret, the dark” illumines those transformations through the vivid life-cycle of a butterfly; and Devan Barlow's “A Tree, At Peace” explores a rather different type of bodily transmogrification! And rounding off the poetry, M. Frost's “view” speaks of the mirror to ageing: memory.

We carry this theme forward in our non-fiction. Isabel Black's essay, “Grannies Against Oppression” explores the role of elders in resistance to totalitarianism and oppression by examining the last three books of The Expanse. And while our three reviews of the week are connected by the theme of the International Booker Prize, the thread of ageing also runs through them. In On the Calculation of Volume, we see the reliving of a single day over time; Under the Eye of the Big Words tackles the ageing of the planet, and of species; and finally, the pivotal character in The Book of Disappearance is a grandmother.

We at Strange Horizons hope that this special issue—in the way of all of our special issues—will contribute to a conversation, and to reflections about how the genre engages with ageing, and all that comes in its wake.

 



Gautam Bhatia is an Indian speculative fiction writer, and the co-ordinating editor of Strange Horizons. He is the author of the science fiction duology, The Wall (HarperCollins India, 2020) and The Horizon (HarperCollins India, 2021). Both novels featured on Locus Magazine's year-end recommended reading list, and The Wall was shortlisted for the Valley of Words Award for English-language fiction. His short stories have appeared in The Gollancz Book of South Asian Science Fiction and LiveMint magazine. He is based in New Delhi, India.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
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