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This interview is part of Staff Stories, a new feature for our nonfiction week.
Strange Horizons has been around since 2000, and in that time, our volunteer staff has grown and changed, but many of the people and experiences here are hidden from readers. We hope these stories help connect our staff to you, giving faces to the people whose work is usually unmarked and often nameless. Our volunteers are a diverse and fascinating group of people, and we think you'll enjoy learning about them as much as we like working with them.

This week, I'm interviewing Joyce Chng. Joyce is a Singaporean author and artist whose commitment to social justice and marginalized representation is paralleled only in the cuteness of their mouse drawings. 


Vanessa Rose Phin: When did you join Strange Horizons, and what is your job here? 

Joyce Chng: I joined Strange Horizons in 2016. I am a non-fiction/articles editor. I acquire and commission articles from authors and writers. So I work closely with them to help them bring their voices out and have them heard.

Vanessa: How would you characterize Strange Horizons nonfiction? What sorts of things does Articles like to focus on?

Joyce: Exciting, progressive, thought-provoking, broad to span across the genre (because genre is huge). Articles likes to focus on things that are relevant and current, matter to people (and to the editors), things that make people think. Diversity, awareness of the changes and shifts in genre fiction and SFF in general, willingness to explore issues fearlessly with sensitivity and compassion, the knowledge that SFF is more than just UK or US-centric: World SFF is also important to the genre as a whole.

Vanessa: What is your favorite project or event that you'd been involved with for Strange Horizons? Why?

Joyce: Wow, so many. My favorite project to date is the "Water Is Life" roundtable with Rebecca Roanhorse, Ishki Ricard, and Kate Elliot. I am a firm believer in climate change and that it affects Indigenous coasts and waterways. The roundtable was mostly prompted by the fight against the Dakota Access Pipeline and for many other continuous fights against intrusion into Indigenous lands all over the world. Climate change is not due to just the planet changing, but because of the thoughtless actions humanity has carried out over generations.

Vanessa: You've had many other hats, including teacher, parent, artist, and writer. What do you enjoy in your work? How do you balance your interests?

Joyce: Flexibility, versatility, and creativity. All these hats require these skills. Initially (when I was much younger), I used to worry that teaching would eat into my creativity, and teaching in Singapore was exhausting as we ended up wearing more than one hat—we were also administrators, counselors, parental figures, etc. Now, older and more circumspect, I just do what I can within my limits and not beat myself up for not meeting goals. Even my goals now are smaller, more tangible and achievable.

Balancing is a skill I am learning and unlearning daily. Learning to be kind to self (easier said than done!) is key to this. You can't balance spinning plates all the time, 24/7. You are not a superhero with super powers. Be kind to self, do one thing at a time.

Vanessa: I hear you use broadswords. When did you get into that?

Joyce: I am a trained medieval historian and I always love knighthood/chivalry. Always wanted to learn how to use longswords. So when I learnt that a school had opened up teaching Renaissance Italian longsword (Fiore), I jumped. And around that time (a decade ago, gosh!), it was relatively rare to have a HEMA school teaching that!

Vanessa: When you crave something sweet, what do you usually go for?

Joyce: These days I watch my blood sugar. I am not diabetic, but at risk (according to my doctor, since my chronic illnesses come in trios). So, I tend to go for…cheese tea. Which is basically melted creamy cheese on top of Chinese tea (unsweetened, of course). Cheese tea is a once-in-a-while treat. Bodies after a certain age protest much with dairy products.

Vanessa: What are some of your current projects and recent publications?

Joyce: Current project is grimdark wolves (an RPG thing I am writing for a publisher). Another (picture book) is still percolating at the planning stage. My two space opera books with werewolves with Fox Spirit Books (yes, there is a theme) are going to be published soon. My YA fantasy with swords and girls using them under Scholastic Asia is in the copy edits phase.

Recent publications include Water Into Wine (recced for Tiptree Award 2017, longlisted for Saboteur Award 2018) and Starfang: Rise of the Clan. Short stories include "The Thing You Feed" (The Future Fire) and "The Bridge" (Anathema Magazine).

Vanessa: What's something you're looking forward to this year?

Joyce: I know it's mundane and boring, but I look forward to a clean bill of health.

And hopefully, the publication of the YA fantasy.



Ness is a queer Baltimorean with a gaming habit and a fondness for green things. Work hats include developmental editing, calligraphy, writing, learning design, and community management (that history degree was extremely useful). Ve started as an articles editor at Strange Horizons in 2012, and is constantly surprised about the number of fencers on the team.
Joyce Chng is Chinese and lives in Singapore. Qar writes urban fantasy, YA, and things in between, and wonders about the significance of female knights. Also wrangles kids and cats. Qar’s website can be found at http://awolfstale.wordpress.com. (Also likes wolves.)
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendelsohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Wednesday: Under the Eye of The Big Bird by Hiromi Kawakami, translated by Asa Yoneda 
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
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Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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