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I recently discovered, very late to the party, The Vampire Diaries TV series.

I'd seen the first three episodes when they first came out and was unimpressed. People assured me that at the fourth episode, things really took off, but I was skeptical. Then fellow young adult author Sarah Rees Brennan made it her personal mission to make me watch.

So I bought the DVD set of the first season (this is how late I was to the party; the DVD set had time to come out in Australia) and, on a night when I was bored, watched the fourth episode.

The second it finished, I jumped online.

ME: SARAH THIS SHOW IS AMAZING!
SARAH: I KNOW.
ME: I will never doubt you again! Except I am still a little dubious about bacon butties.

The Vampire Diaries: This show has nearly everything I love. Teenagers acting like teenagers, but not like children. Genuine twists and turns—there's an entire LOST season's worth of plot in nearly every episode. A plethora of interestingly complex female characters who have interestingly complex relationships with each other (a point admittedly dulled by the show's willingness to kill off large numbers of said characters). And vampires. Mmm, vampires.

Of course, many young adult commentators are appalled by vampirism's popularity. It's a trend! Mindless teenagers are consuming tasteless pap! Better books/TV series/movies are being brushed to the wayside in favour of those toothy-jawed smirkers!

Well, I adore many trends that are supposedly overplayed but actually classic favourites. And, much like Meat Loaf, bright red lipstick, and jelly shoes, vampires are awesome, and I hope they stick around forever. Haters to the left, where they may bite me.

Vampirism is a fabulous metaphor for a lot of things that often happen in adolescence: physical transformation; new temptations and cravings; intensity of emotion; uncontrollable desires. Also, vampires are sexy, sexy danger, and while in real life, dangerous people are not at all sexy and ought to be avoided if possible, they can be a lot of fun in fantasy. Fantasy is a safe way to play around with the notion of the redeemable monster, the terrible being that nevertheless loves and protects the right person.

Of course there are a lot of terrible YA vampire books; there are a lot of bad books in every genre and sub-genre. Publishers are not averse to money, and if they think teenagers will buy any old crap, they will happily publish it. Teenagers are, of course, a lot more discerning than they are generally given credit for, but moreover, they often prioritize different aspects of their reading material. And honestly, given that all assessment of art is subjective, who are adults to scoff and judge? Why shouldn't a thrilling romance be more valuable than stunning prose? Why can't hilarious shenanigans with rhinestone-decorated stakes be more fun than an intricately worked original magic system?

Or, you know, you could have both.




Karen Healey teaches high school, writes genre fiction, and ignores her dishes in Christchurch, New Zealand. Her most recent publication is "Where We Walk, We Walk on Bones", in the NZ sff anthology Monsters in the Garden.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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