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I

On January 3, 1889, Friedrich Nietzsche, author of the idea of the Übermensch,

ran out into a Turin street to embrace an Italian draft horse that was being beaten.

He wept bitter tears for the fate of the poor animal, then fainted, leaving his mind behind.

Months later, without ever recovering, he died. It seemed a strange death for a Superman.

According to his many books, the Übermensch is a paragon among humans

who exerts immense worldly authority simply by asserting the power of his free will.

Given this assertion alone, he is capable of conquering the world and ruling the planet.

It is said that Nazi planners used his idea to manufacture a map for world domination.

II

On January 3, 1989, my brother-in-law posed as Fred Nietzsche on a trans-Atlantic flight.

He explained to a pretty American girl, "I'm just a mixed up philosopher who needs love."

When she took him home to meet her parents, he explained, "I'm a poor orphan in this world."

For two weeks, they fed and loved him to excess. He was philosophically satisfied.

Then he called his mother to come pick him up, but he stressed the necessity of remaining

an orphan. "There's no need to disillusion these nice people now," he explained.

His mother came, but she was unimpressed by his story. "Are you all right, my darling?"

Fresh from a fortnight in the Hamptons, he responded, "I'm fine, mom. I feel like a Superman."




Gary Lehmann teaches writing and poetry at the Rochester Institute of Technology. His essays, poetry and short stories are widely published—about 60 pieces a year. He is the director of the Athenaeum Poetry group which recently published its second chapbook, Poetic Visions. He is also author of a book of poetry entitled Public Lives and Private Secrets [Foothills Press, 2005], and co-author and editor of a book of poetry entitled The Span I Will Cross. You can contact him by email at glehmann@rochester.rr.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
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Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
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