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after Rom Spaceknight #1, December 1979

It’s classic meet-cute. He’s a seven-foot cyborg on
a quest to rid the galaxy of an ancient evil.
She’s a small-town girl on her way home from work.

She swerves to miss him. He wrenches her back onto
the freeway. Stands there statuesque in
silver wetsuit and thigh boots, engine-block chest and

boxy head, blank apart from two bright tail-lamp eyes.
He shines a light on her and flies away.
Later that night, in front of the Bijou, The Creature

from Space on the marquee, he turns two guys to piles
of ash like chalk outlines. Everyone runs
but her. He flies her to the outskirts of town, tells her

about the war in space. How he signed up for the cyborg
army. How her high-school buddies are
shapeshifting sleeper agents hiding in plain sight.

The National Guard cuts in. He chucks around some tanks
and jeeps. Ignores the bouncing bullets and
the flicking of flames against his armour. Turns the Sheriff

and local barber to ash, then flies away again, leaving
the survivors to tell the tale of his arrival. It’s
Roger Corman meets Ernst Lubitsch. It’s a hell of a first date.



Adam Ford is the author of the poetry collections The Third Fruit is a Bird (Picaro Press, 2008) and Not Quite the Man for the Job (Allen & Unwin, 1998). He lives in Australia and writes poems about sad robots and such. His website is theotheradamford.wordpress.com.
Current Issue
31 Mar 2025

how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
Grannies Against Oppression 
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
Special Issue: Ageing and SFF 
We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Monday: On the Calculation of Volume I & II by Solvej Balle, translated by Barbara J. Haveland 
Wednesday: Under the Eye of The Big Bird by Hiromi Kawakami, translated by Asa Yoneda 
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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