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Sitting on my doorstep this Sunday afternoon
while my daughter beats her father
a second time at Mancala, I see a baby lizard
gumdrop green by my feet. Moving
only its paintbrush head, the slender torso remains still
like the red brick canvas
holding us both.

A text from my mother— My
heart bursts with love for you. I can physically
feel it. And my cats stand watch
in the window, linked to the lizard’s every twitch.
Only now it is brown. I Google why

do lizards change colors and learn this tiny guy
is an anole who turns brown
from stress or fright. I blame my husband
who protests his third loss at Mancala, but he points
at our domestic short hairs silent
as spider-silk, watching their prey
scurry up the wall. Love

bombing is something else I recently learned
about. It’s the narcissistic mother’s gambit
in a cycle of manipulation. It almost
always results in a victory. I notice
the lizard is again green
as my daughter counts the glass stones, closing
her wooden case like the eyelids
of a small animal. Can I drive down
and visit you this summer, my mother texts.

I fall for it. Sure!— and she drops her stones
one by one into the divots
of my inner child. I turn brown. Or you could
drive up here, you know.



Candice Kelsey is in her 24th year of teaching English. Her poetry appears in Poets Reading the News and Poet Lore, among other journals; her first collection, Still I am Pushing, explores mother-daughter relationships as well as toxic body messages. She won the Two Sisters Writing Contest for her micro story, was chosen as a finalist in Cutthroat's Joy Harjo Poetry Prize, and was nominated for a Best of the Net and two Pushcarts. Find her at www.candicemkelseypoet.com and @candicekelsey1.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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