Size / / /

Content warning:


as I unspool an onion. A line on a napkin
    to square to cube to—something else. Something
I can’t picture yet. Dad smiles with the duty
    of instillation. Broadening. Dad lives
in an apartment while he looks

for a house. The fried onion is a flower
    or a half-grated mouth. In another dimension
we are in the same house. I hear the fights
    through bathroom vents. Dad adds another
right angle to all his angles—he is something

else. Dad is an interdimensional being
    existing in all worlds. The other families
eating their onions turn to ash as Dad
    unspools. Dad says: I picked
this world
, even though he has no house.

Dad pulls a hypercube out of the napkin-
    drawing. Have you ever seen something
you have no ability to know? Dad says:
        Would you like to go somewhere
else?
I think of being stick-figure girl

or something in Dad’s impossible shape. Dad’s
    endless black eyebrows. Dad’s thousand eyes,
Dad’s many-jointed fingers with the blood
    at the corners—he gnaws his cuticles
in every dimension. Offering me life

in a different shape. I think I’ll stay, I say,
    even though he has no house. Dad collapses
into the appropriate dimensions. Smiles.
    Flags down the waiter
                for the check.

 

 

[Editor’s Note: Publication of this poem was made possible by a gift from Jordan Hirsch during our annual Kickstarter.]



Maura O'Dea (she/her) is a poet and artist from Cincinnati, Ohio. She is the Executive Editor of earthwords: the undergraduate literary review at the University of Iowa, where she is completing her Bachelor's in English and Spanish. You can find more of her work in other undergraduate literary magazines, including InkLit and Wilder Things, and online at Scrawl Place.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
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By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
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Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
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Podcast read by: Emmie Christie
Issue 13 Jan 2025
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