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Seven years I beg men in white
to make a clock of my insides,
to build for me a patient body,
a human one
with moonflowers for eyes.
The doctors say
rage is not a flower.
They tell me to eat
soft and bland for healing.

So I suckle honeysuckle sap
for pleasure and steam sunset
marigolds for distraction
as the sleepless itch for power
swells beyond my belly button.

I sob when my skin first begins
to sting and brittle. My fine baby hairs
sharpen to needle horns while I call
sing and plead, staring
through dull hospital glass
at the bloody hyacinths
bursting across the street. Please,
I would rather bear fruit
than fire.
But my salt calls no army.
I am an echo in a cave.

Flaming intestine sprouts
from my belly, flares to fierce wing.
My screams carry organ pipes
to the desert and birth fields of wild red
milkweed in the open mouths of dunes.
Rage leathers my guts to mottled scale.
I burn everything I touch
and myself, to shriveling pitless cherry.
Reborn in brimstone, my golden
glinting lizard hide straddles the canal
and I hunger for bloom. Cloaked
in silken gowns, heavy beneath
heady magics, the men chant
as a chorus back to me:
no, no, no.



Liz is a gutless wonder—a poet without a large intestine, trying to write gut-punching poems. She received her B.A. in English from the University of Alabama in 2016. Currently, she serves as the Managing Editor of The McNeese Review, and organizes MSU’s graduate reading series. She is the first place recipient of the 2019 Joy Scantlebury Poetry Prize, and her poems have been selected as finalists for Jabberwock Review’s 2019 Nancy D. Hargrove Editors’ Prize in Poetry and F(r)iction’s Winter 2018 Poetry Contest, judged by Kwame Dawes. She lives in Lake Charles, Louisiana, with her (very cute) dog, Rocky.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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