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The only time we’ve ever held hands
was during the two-step
at a powwow at the high school
gymnasium, medicine wheel flags
competing with ol’ glory’s violent clatter,
the aroma of tangy venison aching
against the pervasive scent
of steamed broccoli
and government-regulation pizza.

When we watched the Duck Dance
you explained to me that we did not
dance in the name of waterfowl,
though we preened
and fussed with our hair,
oily feathers cropped short
and close to the scalp.

But for our only dance we
dipped and hopped
on one foot as the emcee
called, laughing between
fancy shawls and jingle dresses,
shimmering rainbows of brown
and green. Wet trouts, us out
of water, out of place—

my skin a shade too light for a tribal ID,
yours dark with the Aztec love
of death and vultures.

I imagined we were wedded
beneath the arc of clasped hands
bangled with beaded spring flora.
That our flower girl would sprinkle
tobacco leaves instead of rose petals
before you plucked me apart
with your blood-smudged claws.
That we would be gifted the names
we’d yearned for our whole lives.

But you are a boy
who likes boys and I
am a something that likes
everyone and I am picked
over before the drumming even ends.




Halee Kirkwood is a recent graduate of Northland College and will be soon attending Hamline University’s MFA program. Kirkwood also served as an editor for Aqueous Magazine, a Lake Superior region Literary & Performing Arts magazine. You can often find Kirkwood haunting the Twin Cities Metro Transit, staring out of windows and daydreaming about what secrets the roadside plants keep.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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