Size / / /

The snuff-goblin liked the paper & wax castle,
crouched in the garden, late into the night.
He told me about real swans, how they swim,
fight, give chase and honk loudly.

The tin soldiers stared, always,
all twenty-five leering brothers.
I heard their lecherous murmurs inside the box.
For my sake, no one let them out at night,

however they rattled their sabers.
But the one hid, to ogle and leer,
all day and night, as if the snuff-box
hid the boring drill of his eyes.

Against tin, paper is useless:
his sword could rip me to tatters.
The snuff-goblin tried to warn him off,
obliquely, to not raise his ire at me;

a cloud of dust cannot be cut or pierced.
I posed en pointe as I was made, stared
at the clock to distract myself from his hungry gaze,
his blue and red uniform like a bruise, his blade.

When the children put him in the window,
my legs stopped cramping, my stomach eased.
When the draft caught him, sent him tumbling,
I felt safe in my castle again.

His brothers were too distraught by the loss
of their youngest sibling to crudely threaten,
though the canary strained her voice
to drown out their vengeful songs in the dark.

Still, I was at home, and protected.
No one would lift their lid, let them loose
to do what they would with their swords.
Soldiers are made to storm castles,

take the spoils, including the women.
It was in their tin like ballet in my paper.
I practiced my positions indoors in the dark
while the nutcrackers leapfrogged outside.

Sometimes we held balls in the castle.
The soldiers grumbled, but the music
swallowed their protests, and I danced
without catcalls or roving eyes, for joy.

When the cook came in with the one-legged soldier
I almost crumpled, but the children were there
so I endured his single-pointed gaze.
The snuff-goblin heard the commotion, though.

The children look right through him,
see only dust motes falling, even in the day.
He scampered up a boy's shoulder,
whispered something into his ear.

When the child seized the leering tin man,
pitched him into the stove, I wanted to cheer
as I watched him glow red, even though he stared
even as his paint melted, drops of his tin dripped away.

The goblin did not cause the draught. I saw him
in his snuffbox, watching the soldier turn liquid.
Pure chance wafted me into the fire.
The soldier took it for devoted self-immolation.

I did not wish to be watched like prey.
I wanted to dance, to watch the swans,
hold soirées, tarantella with the toys.
Burning to a cinder is not a declaration of love.

The snuff-goblin rescued my tinsel rose,
planted it in the garden where nothing grows.
The swans are still in the water made of foil.
He tells me stories of dancing warriors, dodging blades.




Elizabeth R. McClellan is a white disabled gender/queer neurospicy demisexual lesbian poet writing on unceded Quapaw and Chickasha Yaki land. In kan other life, ka is a domestic and sexual violence lawyer. Ka can be found most places online as popelizbet and on Patreon as ermcclellan.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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